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Wooden Nickel Dixie Way (P)

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Count:
32
Wall:
-
Level:
Beginner Partner / circle
Choreo:
Choreographer:
Bill Curtis (USA) - September 2021
Music:
Dixie Lullaby (Duet with Bruce Hornsby) - Clint Black : (CD: D'Lectrified)
or:
Alright Already - Larry Stewart : (CD: Down The Road)
 
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Position: Sweetheart (Side by Side) facing LOD with man on inside

FOUR TRIPLES FORWARD
1&2Triple forward left-right-left
3&4Triple forward right-left-right
5&6Triple forward left-right-left
7&8Triple forward right-left-right

STEP LOCK BRUSH, CROSS HOLD, CROSS HOLD
1-2-3-4Lead with left, step lock step brush right
5-6Cross right over left hold
7-8Cross left over right hold

ROCK STEP, 1/4 TURN, WEAVE
1-2Rock right forward, recover on left
3-4Step right, 1/4 turn with right, touch left next to right
5-6-7-8Weave left stepping left-right-left-right. (right will be crossing left on count 8)

RIGHT TURN HITCH, 2 STEPS BACK, STOMP RIGHT X 2, HALF TURN HITCH
1-2Turn 1/4 turn right stepping back on left, hitch right
3-4Step right back, step left back
5-6Stomp right beside left 2 times
7-8Step right forward, turn 1/2 left and hitch left

I'm not claiming to be original choreographer. This has been previously posted as Choreographer Unknown. Any questions contact (curtiz24@hotmail.com).


1 Comments

Tom @ CRRC September 2, 2021
Wooden Nickel dates back to the late 80s or early 90s, somewhere in there. The way we learned it, we always began it with the lock step (Sec. 2) and finished it up with the 4 shuffles (Sec. 1). A couple small styling differences: where you specify a rock recover (Sec 3. 1-2) we danced a lock step on a right lead; where you specify a hitch right (Sec 4. 2) we did a kick right (sometimes a high kick, and sometimes even hopping backwards on the left foot if the music, momentum and the spirit moved us); where you specify a couple of stomps (Sec 4. 5-6) we just tapped the right toe in place. Same dance, slightly different presentation. Any medium tempo two-step music works for this dance but when I teach it I use Hard Out Here by Hayes Carll. Nice to see it's still alive and well.

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